![]() Waylon Jennings, Honky Tonk Heroes (1973) Waylon Jennings, Lonesome, On'ry and Mean (1973) Tompall Glaser, The Great Tompall and His Outlaw Band (1976) Thomas, "Hooked on a Feeling" (1973)ĭon Williams, The Definitive Collection (1973) Nitty Gritty Dirt Band, Will the Circle Be Unbroken (1972)Īl Green, "For the Good Times," I'm Still in Love with You (1972)Ĭharlie Rich, It Ain't Gonna Be That Way-The Complete Smash Sessions (1965–66)xĬharlie Rich, "Behind Closed Doors" (1973)ī. The Allman Brothers, The Allman Brothers Band at Fillmore East (1971) Kenny Rogers, Kenny Rogers & the First Edition Greatest Hits (1971) Roger Miller, "Me and Bobby McGee" (1969)Įlvis Presley, Memphis 1969 Anthology: Suspicious Minds (1969) Loretta Lynn, "Coal Miner's Daughter" (1969) Johnny Cash, Johnny Cash at Folsom Prison (1968)ĭusty Springfield, Dusty in Memphis (1969) Porter Wagoner, "The Carroll County Accident" (1968) John Hartford, "Gentle on My Mind" (1967) Otis Redding, "(Sittin' on) The Dock of the Bay" (1967) MULTITRACKING: CONSTRUCTING THE PERFORMANCE, 1967–1991 The Essential Porter Wagoner and Dolly Parton, The Essential Dolly Parton, and The Essential Connie Smith (1965)Ĭharley Pride, "The Snakes Crawl at Night" (1965)īob Dylan, "Sad-Eyed Lady of the Lowlands" (1966) Glen Campbell, Song Demos (1965) and "I Knew Jesus (Before He Was a Star)" (1973) Merle Haggard and the Strangers, Strangers (1965) ![]() Roger Miller at Mercury, Golden Hits (1964–1969) Roger Miller at RCA, Platinum and Gold Collection (1960–1961) Ray Charles, Modern Sounds in Country and Western Music (1962)ĭave Dudley, "Six Days on the Road" (1963) Ray Stevens, "Santa Claus Is Watching You" (1962)īobby Bare, The Essential Bobby Bare (1962) Patsy Cline, "I Fall to Pieces" and "Crazy" (1961) Hank Thompson, Hank Thompson at the Golden Nugget (1961) The Everly Brothers, "Bye Bye Love" (1957)īuddy Holly, "Rave On" and "That's My Desire" (1958)īuck Owens, "Excuse Me (I Think I've Got a Heartache)" (1960) Jerry Lee Lewis, "Whole Lotta Shakin' Goin' On" (1957) The Million Dollar Quartet, The Complete Million Dollar Quartet (1956)īilly Lee Riley, "Flyin' Saucers Rock and Roll" and "Red Hot" (1957)ĭon Gibson, "I Can't Stop Loving You" and "Oh, Lonesome Me" (1957) Merle Travis, The Merle Travis Guitar (1956)Įlvis Presley, "Blue Moon" (1956) and Elvis Presley (1956) ![]() The Louvin Brothers, "When I Stop Dreaming" (1955) Kitty Wells, "It Wasn't God Who Made Honky Tonk Angels" (1952) Tex Ritter, "High Noon (Do Not Forsake Me)" (1952) Hank Williams, "I'll Never Get Out of This World Alive" (1952) Lefty Frizzell, Look What Thoughts Will Do (1950–1965) TAPING TRACKS: CREATING THE PERFORMANCE, 1950–1966 Merle Travis, Folk Songs of the Hills (1947)ĭale Evans, "Don't Ever Fall in Love with a Cowboy" (1949) The Dinning Sisters, "Buttons and Bows" (1947) Tex Williams and His Western Caravan, "Smoke! Smoke! Smoke! (That Cigarette)" (1947) The Maddox Brothers and Rose, America's Most Colorful Hillbilly Band, 1946–1951 ![]() Tex Ritter, "Jingle, Jangle, Jingle" (1942) Robert Johnson, The Complete Recordings (1936–1937) Gene Autry, The Essential Gene Autry (1933–1946) Various, Roots n' Blues: The Retrospective 1925–1950īill Monroe, The Essential Bill Monroe and His Bluegrass Boys 1945–1949īob Wills, The Essential Bob Wills 1935–1947 Various, RCA Country Legends: The Bristol Sessions, Vol. Includes original interviews with producers Chet Atkins, Pete Anderson, Jimmy Bowen, Bobby Braddock, Harold Bradley, Tony Brown, Blake Chancey, Jack Clement, Scott Hendricks, Bob Johnston, Jerry Kennedy, Blake Mevis, Ken Nelson, Jim Ed Norman, Allen Reynolds, Jim Rooney, James Stroud, Paul Worley, and Reggie Young, among others.ĬUTTING TRACKS: CAPTURING THE PERFORMANCE, 1927–1949 In its focus on recordings and record production, Producing Country tells the story of country music from its early years to the present day through hit records by Hank Williams, George Jones, Patsy Cline, Buck Owens, Dolly Parton, Johnny Cash, Loretta Lynn, Waylon Jennings, and Merle Haggard, among many others. The author's extensive interviews with music makers offer the fullest account ever of the producer's role in creating country music. When Ray Charles said he wanted to record a country-and-western album, Sid Feller gathered songs for his consideration. Cowboy Jack Clement took the initiative to record Jerry Lee Lewis (while his boss, Sam Phillips, was away on business). Don Law found country bluesman Robert Johnson and honky-tonk crooner Lefty Frizzell. His decisions profoundly shaped our musical tastes. A powerful figure, the A&R man chose both who would record and what they would record. ![]() In the early days of recorded music, the producer was the "artists-and-repertoire man," or A&R man, for short. Legendary producers describe the making of country music's great recordings ![]()
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